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Cover of The Figure In The Mirage: 1905

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The Figure In The Mirage: 1905

Robert Hichens (1864–1950)

Novels5 min read·1,180 words

Against a crackling campfire in the Moroccan darkness, a weary traveller learns the haunting story of a Frenchwoman whose fate is foretold by a vision riding across the desert sands.

In Short

While camping under the stars, an English traveller listens to his companion recount a uncanny incident from deep within the Sahara. A young, headstrong Parisian woman named Valérie journeys into the desert with her family, only to see a recurring, solitary mirage that her companions cannot perceive: an Arab rider galloping across the waste. Guided by a secretive dragoman and drugged with hashish, Valérie is spirited away into the night by a Spahi soldier she once briefly admired in Algiers, ultimately choosing a life among the nomads over the city life she left behind.

The Story

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The narrative opens near a white city in Morocco, where two English travellers share a fire and exchange stories to pass the night. What begins as a mundane conversation about big-game hunting shifts dramatically when the older traveler, an iron-grey, pragmatic man, turns his mind toward the Sahara and its strange mysteries. He recalls the journey of three Parisians—a man, his wife, and her eighteen-year-old sister, Valérie—who set out to explore the French colonies out of sheer boredom with city life.

Upon arriving in Algiers, the family witnesses a grand military procession featuring the Spahis, a native cavalry unit known for their striking robes and wild horsemanship. Intoxicated by the sight, Valérie tosses roses from her balcony to a handsome Spahi rider, who smiles back at her. Though her family teases her for her romantic fixation, the group soon moves on toward Biskra and embarks on a full desert expedition guided by a lithe dragoman named Tahar.

As they trek deeper into the arid flats beyond Sidi-Okba, Tahar points out a distant mirage. While her family beholds traditional phantom landscapes of trees and water, Valérie sees something unprecedented: a solitary Arab riding furiously across the sands with a heavy burden across his saddle-bow. Over the next few days, the vision repeats itself, growing clearer to Valérie while remaining entirely invisible to the others. Tahar, recognizing the significance of her sight, insists that the desert is speaking directly to her heart.

On a moonlit night, Valérie leaves her tent and sees the hallucination one final time. In the bright light, she realizes that the rider in the mirage is the very Spahi who caught her roses in Algiers, and the burden on his horse is a woman. Before she can process the vision, Tahar approaches her. He reveals that he has drugged the camp's watchman and offers Valérie a cup of water laced with hashish. Under his hypnotic influence, she drinks the mixture and swoons. The Spahi arrives, claims her, and rides off into the night. Tahar fires several shots after him, but suspiciously misses despite his sharp shooting.

The narrator believes this to be a tragic abduction until the storyteller delivers a final revelation: years later, he encountered Valérie living contentedly in a remote nomad camp, raising her children and fully embraced as the Spahi's wife.

How It Unfolds

The campfire trade Two travelers meet in Morocco and gather around a campfire, where the older, hardened sportsman turns from mundane animal stories to a strange tale about the Sahara.

The roses of Algiers A bored Parisian family travels to North Africa, where young Valérie becomes captivated by a handsome Spahi cavalryman during a parade and throws him flowers from a balcony.

The solitary mirage During a desert expedition, Valérie sees a lone horseman in a mirage carrying a burden across his saddle, though her family only sees ordinary visions of water and trees.

The phantom revealed Under a bright moon, the mirage reappears so clearly that Valérie recognizes the rider as her Spahi from Algiers and realizes he is carrying a woman away.

The hashish cup Tahar, the dragoman, drugs the camp watchman and convinces a spellbound Valérie to drink a hashish potion, leaving her unconscious as the Spahi arrives to take her.

The desert life chosen Years later, the storyteller discovers Valérie living peacefully as a nomad's wife deep in the Sahara, fully content with her dark-eyed children and her new home.

The People

  • The Storyteller: A middle-aged, iron-grey Englishman who appears skeptical and unimaginative at first, yet holds a deep reverence for the mysterious pull of the Sahara.
  • Valérie: A bright, eighteen-year-old Parisian girl possessing both an "angel and a devil in her dark beauty," who is bored by city life and deeply sensitive to the wilderness.
  • Tahar: The group's lithe dragoman whose eyes gleam "like ebon jewels," acting as a quiet facilitator of fate who recognizes Valérie's connection to the desert.
  • The Spahi: A striking native cavalry officer with eyes like a desert eagle who accepts Valérie's thrown roses in Algiers and later rides into the night to claim her.

In Its Own Voice

“Ah!” said my guest, taking his pipe from his mouth, “the desert is the strangest thing in nature, as woman is the strangest thing in human nature.”

The storyteller introduces his central premise as he prepares to share his strange encounter with the two English travelers.

“I see again the Arab bearing the burden before him on the saddle. He is much clearer than yesterday. I can almost see his face----”

Valérie describes the terrifyingly vivid vision that haunts her while her family sees only common desert mirages.

“Content with her two little dark children dancing before her in the twilight, content when the figure of the mirage galloped at evening across the plain, shouting an Eastern love song...”

The storyteller explains how the young Frenchwoman settled happily into her unexpected life among the Saharan nomads.

What It's Really About

The story explores the tension between civilized European society and the mysterious, untamed power of nature. Valérie’s journey represents an escape from the hollow routines of urban life into a realm governed by instinct, second sight, and fate. The central argument suggests that human desires—particularly those of women—are complex and unpredictable, often drawn toward the wild rather than the comfortable. Through the supernatural element of the mirage, the narrative questions whether our lives are shaped by choice or preordained by forces beyond our understanding. Ultimately, it suggests that true fulfillment might be found in places that civilized society considers entirely alien.

Why Read It Today

This short tale offers a brief, vivid escape into the romanticized wilderness of early twentieth-century fiction. Readers who enjoy atmospheric storytelling, classic adventure tales, and themes of destiny will appreciate its quick pace and lush descriptions of the North African landscape. The prose captures the stark beauty of the sands and the atmospheric intimacy of late-night storytelling around a fire.

It is important to note that the work carries the period attitudes of its era, particularly in its romanticized view of non-Western cultures, its theatrical depiction of local guides, and its slightly melodramatic plot developments. Modern readers may find the swiftness of Valérie's abduction and her subsequent contentment somewhat jarring or idealistic. However, its brief length and focused narrative make it an engaging piece of genre history, offering a memorable look at how Western writers once framed the mysterious allure of the desert and the hidden depths of human choices.

This summary was written by AI (g4f/auto) on 2026-09-01 and is a guide to the book, not a replacement for it — it can be incomplete or wrong. The book itself is public domain. Copyright & AI disclosure · Report a problem

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