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The Wish: A Novel

Hermann Sudermann (1857–1928)

German Literature6 min read·1,276 words

A young woman’s secret, unspoken desire for her ailing sister’s death leads to a haunting confrontation with her own conscience. This stark psychological portrait explores the thin, terrifying line between love and betrayal.

In Short

Set against the backdrop of the Prussian countryside, this novel follows Olga, who finds herself caught in an agonizing conflict between her devotion to her frail, married sister, Martha, and a growing, illicit passion for her brother-in-law, Robert. As Martha’s health declines, Olga is consumed by a forbidden wish that her sister might die, clearing the way for her own happiness. The story is a psychological study of guilt, examining how a noble heart can be corrupted by an internal secret, ultimately leading to a tragic, inevitable reckoning.

The Story

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The narrative is framed as a confession, told through the perspective of Olga, a young woman living in the shadow of her older, ailing sister, Martha. Martha is married to Robert Hellinger, a man Olga helped them marry, believing she was acting in their best interest. However, as the marriage struggles under the weight of financial hardship and Martha’s chronic illness, Olga realizes that her own heart is deeply entangled with Robert.

When Martha falls dangerously ill, Olga is called to nurse her. During these long, silent vigils, Olga finds herself torn between her genuine love for her sister and a rising, involuntary desire for Martha’s death. This "wish," though never spoken aloud, becomes a living presence in the sickroom, infecting Olga’s thoughts and making her feel like a murderer in her own mind. She watches Robert, whose own spirit is strained by his wife’s decline and the suffocating pressure of his meddling, judgmental mother, and she finds herself both pitying him and longing to be his solace.

Martha eventually dies. In the wake of this loss, Robert, now widowed, realizes that his true connection has always been with Olga. He approaches her, declaring his love and asking her to marry him. For a moment, it seems that Olga’s dark desire has been granted and her future secured. However, the weight of her secret is too heavy to bear. She cannot escape the realization that her wish makes her complicit in Martha’s passing; to accept Robert’s hand would be to live a life built upon a foundation of perceived betrayal.

Olga’s internal struggle reaches a breaking point. She recognizes that she cannot marry Robert without being perpetually haunted by the memory of her own thoughts, nor can she flee into a world she despises. She chooses to end her life. Before doing so, she documents her experience in a letter to her uncle, a wise and compassionate physician who has observed the family’s descent. The novel concludes with the discovery of her death. Robert, devastated and confused, demands an explanation from his mother, whom he blames for the emotional cruelty that contributed to the tragedy. The final scenes reveal the aftermath of the suicide, leaving the survivors to grapple with the wreckage of a life defined by an unconfessed, consuming passion.

How It Unfolds

The domestic constraint The story establishes the stifling atmosphere of the family estate, where Olga and Martha are bound by duty and financial decline. Their relationship is characterized by a mix of sisterly affection and a complex, unspoken power dynamic that shifts when Martha falls ill.

The descent of the wish As Olga takes up her station as nurse, the narrative focuses on the psychological intrusion of her forbidden hope. She begins to view her own mind with horror, realizing that her deepest, most selfish desire is for her sister's end.

The moment of mourning Martha’s death provides the catalyst for the final act, as the barriers between Olga and Robert are removed. The tragedy of the loss is compounded by the intense, suffocating guilt that begins to isolate Olga from the living.

The final reckoning Olga’s decision to write her confession to her uncle marks the end of her internal struggle. She rejects the possibility of a future with Robert, concluding that her guilt has already claimed her life.

The People

Olga is the protagonist, defined by her intensity and self-imposed standards of nobility. She begins as a selfless caretaker but is gradually undone by the discovery of a "dark spot" in her own nature, eventually choosing death to preserve her sense of integrity.

Martha is the frail, suffering sister. While she appears as a victim of her own physical weakness and the circumstances of her marriage, she is also a woman of profound emotional capacity who intuitively understands the shifting loyalties between her husband and her sister.

Robert Hellinger is the man caught between the two sisters. Honest and well-intentioned, he is ultimately a man of limited emotional range, struggling to navigate the complexities of his marriage and the later, inexplicable grief of losing both his wife and his potential bride.

The Physician serves as both an observer and a confidant. He is a source of wisdom who recognizes the darker impulses of human nature, providing the moral context that explains why even "sensitive natures" can be destroyed by the very wishes they try to suppress.

In Its Own Voice

"Thus, into a character entirely good, noble, and self-sacrificing, steals the wish, 'if only she were to die!'"

The biographical introduction captures the core conflict of the novel, describing the moment Olga’s internal life turns toward the forbidden.

"When the elder Hellinger entered the room he saw a picture that froze the blood in his veins."

This line precedes the description of the final, harrowing discovery of Olga’s body, emphasizing the shock felt by the characters who find her.

"It is one of the darkest spots in human nature, a remnant of bestiality which has managed to find its way into our tamed world."

The physician reflects on the commonality of the "wish" for death, offering a bleak but philosophical perspective on the human condition.

What It's Really About

The book is a deep inquiry into the hidden, often terrifying machinery of the human conscience. It asks whether a thought, if never acted upon, constitutes a moral crime. The author argues that the "wish" for another’s demise is a universal, albeit shameful, impulse—a "remnant of bestiality" that even the most refined people must confront. The novel is less about the mechanics of a romantic triangle and more about the isolation of the internal life. It examines the cost of self-deception and the way that guilt, when internalized, can become a more destructive force than any external judgment. It challenges the reader to consider if we can ever truly be free of the secrets we keep from those we love.

Why Read It Today

Readers who appreciate psychological fiction, particularly the introspective works of the late 19th century, will find this a compelling, if somber, read. Its power lies in its unflinching honesty about the darker recesses of the human heart; it does not shy away from the ugliness of jealousy or the crushing weight of existential shame. For modern readers, the novel provides a window into a rigid, class-conscious society where duty often suffocates personal desire, yet it remains relevant because the internal dilemmas it describes are timeless.

The writing is spare and direct, moving with a rhythm that mirrors the slow, suffocating progression of a long illness. However, the reader should be prepared for the book's period-specific sensibilities and a certain theatricality in the characters' expressions of grief. It is not an easy or lighthearted story; it is a clinical and deeply empathetic dissection of why a person might feel they have "forfeited" their right to happiness. If you are drawn to narratives that explore the thin line between goodness and corruption, this book will linger with you, serving as a reminder of the quiet, interior battles that often go unseen by those standing right beside us.

This summary was written by AI (gemini-3.1-flash-lite) on 2026-09-01 and is a guide to the book, not a replacement for it — it can be incomplete or wrong. The book itself is public domain. Copyright & AI disclosure · Report a problem

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