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Witchcraft of New England Explained by Modern Spiritualism

Allen Putnam (1802–1887)

History - American7 min read·1,485 words

This investigation reinterprets the infamous New England witch trials not as products of pure delusion, but as early, misunderstood encounters with the natural, spiritualistic laws of mediumship and unseen forces.

In Short

This book serves as a radical re-evaluation of the 17th-century Salem witchcraft trials, arguing that what early settlers labeled as demonic possession was, in reality, a series of genuine spiritualistic phenomena. The author systematically examines cases involving Margaret Rule, Margaret Jones, Ann Hibbins, and others, positing that these individuals were not servants of a "monstrous" Devil, but were rather "mediumistic" people—sensitive to invisible forces that the theology of their time could not comprehend. By framing these historical tragedies through the lens of 19th-century Spiritualism, the work attempts to vindicate the intelligence of the early colonists while explaining their fatal errors as the consequence of a rigid, fearful religious creed.

The Story

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The narrative begins with a critical look at the records of Cotton Mather and his contemporary, Robert Calef, focusing on the case of Margaret Rule. The author establishes that the "cruel specters" reported by the afflicted were likely not demonic agents, but manifestations of individuals who possessed high degrees of mediumship. The account moves through the tragic histories of women like Margaret Jones and Ann Hibbins, who were condemned to death based on the prevailing belief that they had signed a covenant with the Devil. The author argues that these women were essentially misunderstood mediums whose intuitive powers and ability to influence the physical world were terrifying to a society that demanded the immediate destruction of any perceived "Christian traitor."

The argument progresses to examine the "endemic" witchcraft of 1692 in Salem Village. Rather than dismissing this as a mere hoax or a social contagion, the author insists that we look at sporadic cases—such as those of Elizabeth Knap and the Morse family—that occurred decades earlier. By analyzing these, the author contends that the phenomena were grounded in actual, if mysterious, natural laws rather than mere theater. The story of the trials is told through the interrogation of Tituba and the depositions of witnesses against Susanna Martin and Martha Carrier. Throughout these accounts, the author maintains that the magistrates and the accused were operating within a flawed logical framework: if an individual manifested "supermundane" power and was not a saint, they were axiomatically a witch.

The arc of the book concludes with a defense of the men who presided over these trials, such as Thomas Putnam and Samuel Parris. The author argues that they were not villains, but men of their time who were acting out of a perceived necessity to protect their families from what they believed was a literal, encroaching Devil. The final chapters transition into a broader philosophical discourse, suggesting that the "darkened chambers" of the past were not filled with stupidity, but with an incomplete knowledge of the spirit world. The author envisions a future where modern scientific understanding of spiritual forces allows us to look back at the gallows of New England with compassion, acknowledging that the victims were gifted souls and the executioners were simply blinded by an era of rigid, fear-based dogma that has since been replaced by the "mental freedom" of the present.

How It Unfolds

The lens of the past The book opens by establishing the author’s intent to bridge the gap between 17th-century theology and 19th-century Spiritualism. He defines his terms, setting a tone of analytical inquiry rather than mere historical recounting.

The case of the afflicted The focus shifts to the specific manifestations of Margaret Rule and the "specters" that plagued her. The author introduces the central thesis: that mediumistic sensitivity, rather than diabolical influence, explains these occurrences.

The tragedy of the accused Detailed portraits of Margaret Jones and Ann Hibbins follow, illustrating the intersection of social reputation and the fear of "supermundane" powers. The author parses historical records to show how these women’s distinct abilities were twisted into evidence of guilt.

The nature of mediumship The author analyzes earlier, isolated cases like that of Elizabeth Knap and the Morse family to argue that the 1692 outbreak was not an anomaly. He asserts that these individuals exhibited powers that were simply misunderstood by their contemporaries.

The defense of the participants The narrative turns to the magistrates and accusers, arguing that their actions were dictated by a logical, albeit erroneous, adherence to a specific Christian creed. The author balances condemnation of the result with empathy for the historical actors.

A vision of progress The book closes by advocating for a modern understanding of spiritual laws. He concludes that the suffering of the ancestors paved the way for a more enlightened era, where the "unseen" is no longer the province of fear.

The People

The book features a cast of historical figures whose roles are re-imagined through the lens of spiritualistic theory. Cotton Mather is presented as a complex, well-intentioned figure whose "manipulations" and prayers were early, intuitive attempts to harness spiritual forces. While the author acknowledges his weaknesses, he defends Mather’s sagacity against critics who dismiss him as a mere simpleton. Margaret Jones and Ann Hibbins emerge as the tragic figures of the work; they are portrayed as highly "mediumistic" women whose intuitive intelligence and social prominence made them targets for a fearful, superstitious community.

Thomas Putnam and Samuel Parris are treated as representative of the "best" members of their community. The author argues that their role in the prosecutions was driven by genuine, painful concern for their families—a move meant to humanize those who historically occupy the role of the antagonist. Tituba serves as a focal point for the examination of the judicial process, with the author stripping away the "incoherent nonsense" of the records to reveal her testimony as a natural, if frightened, account of spirit-sensing. Finally, Robert Calef and Thomas Hutchinson appear as interlocutors; the author challenges their dismissive, skeptical readings of the events, arguing that their failure to grasp the reality of spiritual phenomena renders their historical critiques incomplete and unphilosophical.

In Its Own Voice

"The psychologist will not overlook the fact that persons whose specters were here presented were such as had in some way previously aroused suspicion that they were witches."

The author provides this context to explain how the "clairvoyant eye" of the afflicted inadvertently targeted those who already stood out from the community.

"There hang about Mather slight indications that he received some knowledge or some impulses, mediumistically, impressionally, or intuitively."

This assessment follows a discussion of Mather’s attempts to cure the afflicted through physical manipulation, suggesting his actions were proto-scientific.

"The reincarnated spirit is a somewhat mystical being, half spirit, half man, and as a spirit can read the thoughts of man, and as man can use human language."

The author offers this explanation to clarify how the spirits of the deceased could communicate with the living during these historical incidents.

What It's Really About

At its core, this book is an argument for the validity of spiritualistic phenomena as a legitimate, natural force in human history. The author contends that what we label "witchcraft" is simply a misidentified category of mediumship. He seeks to answer why historical actors committed such profound violence, concluding that it was the result of a specific, narrow religious dogma that permitted no middle ground between God and the Devil. By removing the "supernatural" stigma, the author asks the reader to view the Salem trials as a psychological and spiritual collision rather than a simple story of good versus evil. The work is ultimately a plea for a more nuanced understanding of historical "delusion," suggesting that our ancestors were responding to real, inexplicable forces that science—and Spiritualism—can finally explain.

Why Read It Today

This book will appeal to readers interested in the history of ideas, particularly the mid-19th-century fascination with Spiritualism. It provides a fascinating, if sometimes eccentric, counter-narrative to the standard history of the Salem witch trials. Those who enjoy deep-dives into 17th-century primary sources—such as Mather’s records and colonial depositions—will find the author’s meticulous, if unconventional, deconstruction of these texts rewarding. However, the reader should be prepared for the book's specific limitations. The writing style reflects the late 19th-century scholarly tradition, often utilizing dense, moralizing, and circuitous prose that may require patience.

The author’s persistent, earnest attempt to vindicate the Puritans by framing their actions as a logical response to a "factitious" theology creates a unique tension, as he balances modern condescension toward the past with a sincere belief in the reality of the ghosts he discusses. You will find it a challenging, sometimes frustrating, but entirely singular reading experience. It does not treat the trials as a dark folklore tale, but as a scientific problem waiting to be solved. If you can move past the archaic rhetoric and the author’s firm, unyielding commitment to his own spiritualistic philosophy, you are left with a haunting perspective on how we choose to interpret the tragedies of our ancestors. It is a book that stays with you, not for its historical accuracy, but for its bold, strange, and entirely committed effort to rewrite a dark chapter of history.

This summary was written by AI (gemini-3.1-flash-lite) on 2026-08-24 and is a guide to the book, not a replacement for it — it can be incomplete or wrong. The book itself is public domain. Copyright & AI disclosure · Report a problem

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